the Exhibition will be held from 12 to 26 October in ART re. FLEX Gallery.

Project Veronika rudieva-Ryazantseva "Fragments" - the construction of three statements-sketches, linked by gloomy intuitive logic. Two - iPhone-video reports on street accidents: cleaning the broken Windows and fallen, but continued to operate the traffic lights. The third torn and dispersed in the gallery space is a variation on the famous "Melancholy" dürer. According to Veronica, durasovskom osherenko bat, holding in the paws of a name prints, replaces MacBook with subtitles of the same movie by Lars Von Trier. The expectation of the collapse has become an integral part of the mental landscape of the modern city dweller, but an artist, especially a domestic artist, with an increasing difficulty of the screws of the state machine, involuntarily thinking about the possibility of a cultural cataclysm, which is rich in the latest Soviet-Russian history. And the truth is, contemporary art in Russia for five years as recalled by a fallen traffic light - arrow flashes, the lights are on, but traffic it is not a decree. Indeed, if narcissistic, the system of contemporary art in Russia will collapse, the shards (actually us) to remove not long; nothing in half an hour won't be reminded of this vanished world. Tearing own work - self-injurious gesture, is meant implicitly to blame the industry contemporary that it was unreliable, the object of love (about the way Freud described the mechanism of melancholia). A reference to the author's cinema and one of the peaks of the Northern Renaissance indicates the size of the loss and its connection with a great culture. A witty parable about the fragility of modern art in Russia, its state and prospects do not promise the professional community of greatest joys. However, the same Freud said that the melancholic is inclined to condemn and discredit themselves far more than they deserve the cash situation.