Two monumental textile panels, made by hand by the artist combined the technique of sewing, knitting, embroidery - that's fine, man-made, intimate, implying a measured work, which is often called the "feminine" in art. Images woven by the author, there is reflection on the theme of the conflict of individual and collective principles, archaic and postmodern worlds. Subject archaic, close to the author, due to the geography of birth. "Siberia - the land associated with the beginning of the mother, marked the aggressive nature of luxury, enabling you to find a certain mysterious voices. It is unlikely that this can be attributed to the category of aesthetic experience, rather it - deep insight. Awareness of their presence in the world Siberians absolutely individual. They see themselves condemned to life in this reality, toil inferiority complex and bound hand and foot with complete freedom when no one and no one is obliged to no one is holding "(Akhmetgalieva T.). Marginality - life on the edge, the transition state everlasting initiation - presupposes readiness to accept something fundamentally different. Siberia - as a kind of mythical giant cocoon, hiding behind layers of their origins strands of the new "axial time" appears in the works of Tatiana Akhmetgalieva. Author in the project focuses metaphor thread that since archaic times acts as a universal binding element of life itself. It is in this regard, the author sees the meaning of feminine nature - absorbing and born again, "pass through itself." A mother hatched a new entity, both their own and "foreign", passed the state border of life and death. And Siberia, as the sacred and untouched territory, capable to self realization.