Modern art from the time of Andy Warhol deliberately diminished the idea of Romanticism. In the scheme of the artist - work - Gallery - exhibition - art - the market is almost no space left because the audience loved the myth of the artist against the world, outsiders confinement. Works of art acquired an impressive scale, the artists have mastered the production of new techniques, different design perfectly. Works by Sergei Lotsmanova - the opportunity to experience a new experience, call it experience a detached observer, escape to the outskirts of the city, abandoned and forgotten people places. Eight graphic works explore the poetics of urban space. Sergey with maniacal perseverance draws every brick someone Omission dreams, starry sky on a background of snow semi-abandoned warehouses outskirts of big cities. Millions of lines, countless movements of the hand along the line of: "The desert area, desert, have not been cut down for the construction of pieces of wood, the sea, covered trash built, but abandoned as useless building -" modern ruins ", the ruins of the era, post-modern glass and constructivist flats. Sleeping areas where sleep because they live at work, or in the train, and life is never enough time. The crisis of land on Earth. A pile of bricks under the feet since last fall, covered with moss "(Sergei Lotsmanov). There is no objective observer, because any observer of the universe, its physics and mechanics. Fascinating glow stars - a key element of all the works of the artist - his is not always noticeable from the first time attendance refers to the brightness of "billion years", causing a longing for that same reference point after the "big bang." Considering the works of Sergei a feeling of absolute detachment, loss of contact with reality, going beyond the boundaries of the object. As one of the principles of quantum mechanics, when along with the object and research tools analyzed picture element becomes an observer. I recall the words of M. Momardashvili - "being is not reduced to the reality", but his shadow, grasped the author turned into eight essays on contemporary romanticism.